The new Haute Couture collection by Roger Vivier ... fantastic and filled with fantasy. Shoes and bags fit for a queen (like a Marie Antoinette) or a queen now, if we were lucky. These look like museum pieces to me. It would be a delicate night wearing these feathered heels or carrying the beaded bags. When you know they're one-off. The white swan of all heels. A hand-beaded Chinoiserie bag. And a set of feathers that I can only imagine the most loveliest of fashion's followers will buy and wear (like a Daphne Guinness). I say it all the time, but these are the reasons why fashion persists and why fashion today...for the most part due to mass production and homogeny...has lost a lot of its charm. It's fun to think there was actually a day when lots of ladies walked around with bags and shoes this way. ♡
7.14.2010
7.13.2010
TUESDAY TAILOR ♥ MCQUEEN NOT LEE
It's still hard for a lot of us to look at a McQueen collection so soon after his sad passing. There's a cloud of melancholy hanging over that house that might be there forever. And I am also a bit confused. Maybe I missed something, but I think in the YSL documentary McQueen says he thinks a house should die with the designer? And that he would hope his house wouldn't carry on after he was gone? I have the video. And I'll have to review it. But I'm pretty sure it's in that movie. At least his successor is Sarah Burton, and she understands the essence of his vision and talent. It must be a daunting task to follow such a genius as Lee McQueen...and also highly emotional. At least for now, the house looks like McQueen.
I especially love these Chinoiserie pieces from the Resort collection. They are amazing. There are very few people who could get this look down. Just look at the details. I mean, maybe some people can do this, but they can't do it this way.
The Detail
And this bit... it's almost Egyptian... King Tut and Nefertiti.
It's absolutely gorgeous.
But that doesn't mean I'm still not sad when I look at this gorgeous collection. It is, after all, a mixed bag. ♡
images from style.com
7.12.2010
MAKEUP MONDAY ♥ THE BARE BROW
Missoni
Once a long time ago in a land called Manhattan, I was making the rounds at the Fall Fashion Week parties with some girls, a chick from Vice and a stylist who did random jobs. I liked to change my look up a lot, and New York allows a girl to do that and champions it even. The stylist, out of the blue, commented on my brows. She said, "It looks good, but I'm just curious...why do you bleach your eyebrows?" I kind of giggled inside, because I knew she had speculated there might have been a real answer. But my answer was pretty much this, "Because I like how it looks sometimes. Then I change and go back to dark brown. That's all." And we carried on looking for the open bar. It was the truth. I'd equate it to sometimes dying my hair lighter or getting highlights in the summer and then going darker in the winter. It's a change.
Balenciaga's Pink Brow
Givenchy
It can look fresh at first. Brighten and open up your face. It also looks a little odd which is good sometimes. Then, like a lot of things, it gets old and tired...and boring. And the freshness escapes us. And that's when it's time to go some other direction. It's how we "play face".
Missoni
Comme Des Garçons Fall 2010
Missoni
vintage Googoosh with "cam abroo"
(and some killer boots!)
Another time, during maybe that same summer, (I was sort of doing an ode to Ziggy Stardust thing with black velvet jumpsuits and platform boots and subtle copper halos around my eyes) someone else whom I love commented on my brows-- Hushi Mortezaie of Michael and Hushi fame (and back in the day Sears and Robot in Downtown NYC) and now-designer of Trash and Luxury. I met him at an Opening Ceremony party. He knew of me through a family friend. The next time we talked, on the phone, he mentioned my 70s look and "cam abroo" which in Persian translates to little eyebrow (little as in not a lot). We had discussed doing a fashion story that he'd style about Persian fashion/entertainment icon Googoosh. And he said something like I was looking a little Googoosh with my "cam abroo". Very big compliment as Googoosh was amazing in the 70s especially.
vintage Googoosh with "cam abroo"
(and some killer boots!)
A "cam abroo" can be fun. It's really easy to do, if you dare. A little bleach like Jolene and awareness (i.e. do not go do anything where you'll forget you have bleach on your eyebrows). Especially if you have "virgin" brows, it can literally take seconds to lighten up. I'd say wipe and wash it off before it gets to the color you are wanting. It always looks darker when the bleach is on. As soon as you rinse it off, wash and dry, you'll see they've lightened quite a bit. REMOVE IT QUICKLY! And, if you're scared, get it done professionally. Don't forget to test and make sure you're OK with the bleach. With a little practice, even you can get a little fresh with a "cam abroo". ♡
images from style.com and Italian Vogue
image of Googoosh from my computer (it's been on there for at least 6 years)
7.11.2010
SUNDAY MATINEE ♥ BONJOUR TRISTESSE ♥
I absolutely love the dress Jean Seberg is wearing in this scene. She actually wears it every time they are in the nightclub. And then I realized Hubert de Givenchy was the costume designer on this film. So it makes sense why I would be so in love with the entire look.
It's filmed primarily on the Côte D'Azur and St. Tropez. It's amazing to watch, mainly because of the styling, the location and the house Jean and her on-screen playboy father live in.
The book the movie was adapted from:
You can see which book came out before the film
What was Jean Seberg thinking here about her lucky break...
Goodbye Sadness? ♡
more sunday matinee ♥ smashing time
images from
jeandorothyseberg.blogspot.com
archive.sensesofcinema.com
thephantomcountry.blogspot.com
Subscribe to:
Posts (Atom)




























